Melina Velba Breast Milking

Alejandra Duarte: Consciousness released

The photographic work, "Portrait Collection" Alejandro Duarte, playing with that aura of truth that wraps the photographic image. Constantly plays with the image you want to offer herself. His portrait and the dream that we produced through the modification and manipulation, it seduces us while we distort you into believing that it encompasses everything we see.

Thanks to this game, subjectivity and objectivity has become pieces of construction / deconstruction of our reality. Our look is the way we measure is actually the way through which we establish close relationships and intimacy. We position ourselves emotionally to the image from the interpretation of our eyes makes it only stopped when we think that Alexandra is real.

His pictures tell stories that deal specifically with the inner state of being, is a work of introspection, to become aware of our body and mind as to the immensity of the universe. Alejandra takes us to a world of sensations, perceptions, tastes, smells, memories, childhood, desires, fantastic landscapes where each visitor is the protagonist of his own fantasies.

Duarte The photographic image is taken as a painter, in the end it is illusory, artificial, ie a mental recreation of the artist by virtue of its materialization photo also confronts us with the aesthetic criteria beauty and truth. Alejandra investigates the power of our mind, because without a doubt is what defines what is real to us, telling us what is important and which significantly changes the meaning of things. Thus, his work is more painterly than photographic urges us to see only what you really want to see.

" The picture I drew from the outset to be a medium that creates spaces, areas, relationships that would otherwise never exist. For me, a means to discover and explore both the visual and inner world of human beings around me, and of course mine, its continuous wave, changing landscapes, its contradictions ... I greatly enjoy doing portraits.

I have worked with all types of analog and digital cameras, from small to large format dark laboratory Partly, I learned to control all the way to the final copy and so I managed to materialize the images that pop into my mind . "

Ultimately, their work frees us and drags us into the inner world of feelings and emotions, the paradise of the subconscious, from which the real and unexpected impressions of our being. They are images that arise during the silence, moved by the sight of the diversity that surrounds us, in the search for self-consciousness, to understand what is real to us and what is not.

My Dog Is Old, Blisters Broke

Javier Mariscal: Rossana

Mariscal in Maestrazgo "is a multidisciplinary project, suggests diversity, a free cross borders, a cultural exchange and a breadth of vision.

Clearly, Marshall is a storyteller of pictures that tell stories featuring characters that can be either objects or subjects. graphic stories are told by a pen that not only refuses to draw lines. It conveys emotions graphic concept, technological development and cultural and social significance.

This exhibition presents a Mariscal artwork with different techniques and media, from medium-format canvases painted with pen to paper collages and small scooters converted into wooden sculptures. His creativity distilled from everyday experience and makes it a fantastic practice takes forms amazingly diverse, multidisciplinary and rewarding shaken by small touches of defiance.

His proposal recovers vital acid and infinitely curious eyes of a child and adolescent insatiable power, always under the tutelage of a great artistic knowledge. His art, then, is rebellious but also nostalgic. And apparently impulsive style is reflective. Marshall has his own philosophy of life, that creates a fantasy world, where everything is possible, their own spatial and temporal laws. It is therefore a philosophy that stems from their life experience.

Mariscal, fierce-eyed artist, draws on the faces of street characters, landscapes, situations, travel, etc. Becomes master of his own destiny and build their spaces blank pages, with surprise and uncertainty situations, poetic revolution against the injustices of power, incursions into the dream world, melancholy and joie de vivre . And developed an original concept of the fable in which are also uncertain boundaries between humans and animals, all mixed in a combination of poetic character light touches of humor.

Mariscal spatial strategies are rooted in his capacity as an artist, but as much more subtle paintings and more complexity in the sculptures. Composition are strategies in which the distribution of characters and objects creates the poetry of the narrative and visual sensations. If the line is often narrative, color Mariscal is a "state" smart where we talk about the nature of perception. Planes built in simplified forms, often in conflict. Thus, Marshall achieved by the juxtaposition of the different tones and rhythms in his works praise the extraordinary essence Maestrazgo.

Marshal's works, as intense as prolific, overall support both planning and fragmented forms. Any detail of one of his works is, in itself, another work of art. While there are themes and forms that picks up and meet again over his long career, his works never cease to diversify and enrich themselves.

Finally, Marshall provides us with his works a privileged view of the colorful life to the smallest detail of our day to day.

Manuele Culinare Food Processor

Zaera animated fable: Renaissance poetic

Rossana Zaera, strikes again with his new exhibition "Resilience / Memory Boxes" in calling for a work that invites the viewer to introspection, reflection, realize life cycle.

Being is moving or is nothing, has a great ability to move, adapt and overcome any adversity and learn through experience over the course of life.

thus speaks of the resilience of the living power to overcome any setback. Our brain is nourished by the stimuli that cause pleasure but also learns adverse and painful circumstances. Though surprisingly we have a great ability to overcome pain.

Resilience is based on the representation of the pairs of concepts creation / destruction or disintegration / reintegration, and in recreating the beauty of decay from which life is generated and the analysis of the relationship between humans and nature. Interspersed anatomical structures and physiological plant with human in order to create life, and of course, hope. Zaera bet on the malleability and ductility of the elements of organic matter, and deceptive fragility that can endure being.

That hope immersed in the entire work of Rossana Zaera returns us to the concept of resilience title of this series and is not nothing but the ability to live. The images we see show buried human bones and skeletons, in short, reflect the death and the inert. Although once again the hope illuminates the darkness surrounding death with outbreaks insufflated again a spark of life, capturing well the cyclical sense of life becoming.

Luis Rojas notes that human resilience is both a natural and universal survival, which is composed of ingredients of biological, psychological and social, so when we discuss the psychological term resilience we are talking about living. The human being, like, that vegetation tends, in the words of Maeterlinck, to freedom, to break the narrow sphere, to invent or invoke wings, to escape as far as possible, conquer the space that encloses the destination, close to another realm, enter a world movent and lively ...

Thus, we should take as an example in our daily lives the prodigious efforts of disobedience, courage, perseverance and ingenuity of a flower about to bloom with endless adversity against.

In his next series titled "Memory Boxes" Rossana memory works hand in hand with playwrights, poets and essayists such as Friedrich Schiller, Walt Whitman, Maurice Maeterlinck and the renowned psychiatrist Luis Rojas Marcos, who claims memory is necessary for the survival of the animal kingdom, but in humans is much larger, since we have several types of memory, starting with the two most important: the verbal and emotional. Without our memories we would be homeless wanderers in our own way.

Rossana Zaera, is sheathed in work of introspection and retrospection in this series where the boxes get to catch the essence of life through memory. However, the closed box contains all kinds of emotions and conveys a myriad of sensations to the viewer, from grief, anger, loneliness, tenderness, sorrow to joy and happiness.

This box-set releases the emotional labyrinth of the artist unleashes memories and encounters with children at the same time preserves and saves it with apprehension in space.

memory boxes are staging, scenery, scenes from memory, that is, it would be the scenery of the physical environment of the artist who recreates his own experiences embodied in the boxes. This execution paradoxically leads us to the immaterial, the dream world of dreams, we could actually talk about poetic objects that we face the very reality. Resilience

both as memory boxes, Rossana poet the world of emotions through the transformation and reflection of space-time. It combines the meaning of life and his future with his own introspection. Develop a game of opposites, maintains the tension between the origin and outcome of human existence while pretending to preserve and safeguard the death destructible memories, experiences and emotions in a shoebox. Aims and, in practice and transcribe the memory while the human body is consumed.