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discrete (EACC): "Gestures" domiciled

Gestures are an important part of this exhibition because through them we can attract public attention or, quite the opposite. Everything depends on the good use we make of them. Hence 'domiciled discrete' make a series of winks that are shared with the residents of Castellón, such as stock Denicolai & Provoost we found in the Mercat Central de la capital de La Plana or performances' Workshop extreme slowness' of Cesare Pietroiusti - where they can participate actively all citizens - or the banners of Antonio Ortega and students of the Escola d'Art i Superior de Disseny de Castelló.

We must bear in mind that all possess the ability to communicate and transmit. We can try to lie, cheat, manipulate, conceal or pretend through press, writing, but it is almost impossible to "pretend" by expressions of the human being within our multicultural society. For the same reason, the project aims at hand that we are natural and expressive with our response. Needless to add gestures to all the comments, or comments to every gesture. And is it the same way that the behavior gives a clear idea of \u200b\u200bhow people are and their reaction to the exhibition space, the movements and expressions, like words, are varied and significant, as they are the silent words that can be seen and not heard, but we can interpret them. We dare say that society, under the watchful eye of globalization, should pay much more attention, as well as positive values, these small gestures of complicity that we can develop and establish with our neighbors.

In this globalized world, art is a language accessible to anyone who wants to communicate ideas to the rest of their peers - as does Antonio Ortega, in protest, in his "Hello, I am José María Ruiz-Mateos' -. Thus the universality of art, rather than weaken the multiplicity of new means of expression, gaining strength to be a field that includes knowledge and human sensitivity. Hence, this exhibition of the EACC project has as an objective to act as liaison between the institutions and the spectators.

art provokes reactions. 'Domiciled discrete' art gets picked up and build the different spaces. Positioning us to the essence of the work, we could see that provoke different reactions in the audience, comments on 'sotto voce', exclamations of surprise, indifference, and Of course, lots of gestures. The human being is a being expressive is not limited only to verbal comments, as irretrievably body notifies all moods. We are living art in motion, which performs a repertoire of performances daily unconscious, and sometimes some specific and elaborate. However, the expectation and reaction correspond to the original essence of the conversation of human beings, so that spontaneity is reflected in a transparent body of the most sensitive. So if we were objects of art, we would, surprisingly, how visitors and casual observers of our rationale, execute all kinds of grimaces, winks, fuss ... ultimately gestures that would indicate the acceptance or otherwise of our sense of vitality - in the first place - and a range of comments that reinforce their initial views.

In conclusion, a decrease of eyes, a furrowed brow, a lift of his shoulders, a smile, and a whole series of expressions, let Screener feelings, participating in complicity, in the dialogue , the interaction between us and the work starting, so the first step in the way of art.

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discrete (EACC), "Foreign intrinsic" domiciled

Currently, urban space is governed by large shopping centers, corporate towers, perimeter grounds, ample parking and massive capacity enclosures. These architectural models of this materialized in iron and glass have made us forget the traditions that formed and gave an identity to our city. In this situation, the videos of Bernard Bazile, Antonio Ortega and Cesare Pietroiusti and images of the artists can explore Denicolai & Provoost New features of the space we inhabit collectively, the urban landscape, which consists of tall buildings and tourist resorts, unify shapes and lattice types systematically repeated a complicit relationship between tradition and way of life with the frantic pace of a typical city. Still, we wonder what is the urban, how it arises and what its potential characteristics and effects on our lives. These are some of the issues that arise when facing their works.

is not novel to point out that the reality we have always interpreted through the relationships that we offer images. The photographic technique and, more digital, have been opened and strengthened this conception. Thus, the image is not only an interpretation of reality, but also functions as a vestige or trace of the real live. As a caricature or a cartoon drawing, that keeps us both on us. Photographs of people frequenting the Mercat Central de Castelló or fishermen slaughter of Denicolai & Provoost Grao make us accessible, instantaneously, to outside realities for many of us, though not without difficulty or ambiguity, since we access these ways of life temporarily, through a distance, ie a distance from our daily reality.

If this work presented here, alter the way we look and therefore, our relationship with reality, we can say that we also provide an area for rethinking the relations we have with the urban landscape our taking up residence. The exhibited works bring us closer to a new kind of perception, and with it the possible correlation that may arise from the urban and the masses, spaces accelerated subconscious places, the political conditions of temporal and spatial practices, with the traces that human beings left in these places, which constitute the element of culture. It creates a dynamic relationship of our artists with the inhabitants of the city as part of a group dynamic, where the human being becomes more visible in the space it occupies.

In 'domiciled discrete' not only reflects on the relationship between image and reality, but the question of ambiguity between image and word. For example, through the recovery of the aesthetics of the comics that exposed as propaganda posters Denicolai & Provoost, incorporating written language to mean, ironically, contemporary events taking place in our city, for example in the fish market. The word also appears in the banner Antonio Ortega, where we are given a warning, we wake up and catches us, in short sentences and striking the complaint and protest to debate reality.

The images of this exhibition project of the Espai d'Art Contemporani de Castelló are shown in different environments - indoor and outdoor - for us to understand the effects of these on the emotions and behaviors people. Thus, they represent social relationships and linkages, which leads to consider the urban space as a mobile site, dialectical and constantly changing.

In this context, the art opens a way suitable to analyze social patterns and the effects thereof in the production environment of space. There is a back and forth between artistic practice and the space between imagination and reality, thus creating a rhythm in the time between this exhibition and its city. Thus, the art plays a critical and transformative role that helps us recognize what place we are and where we are headed.

Alexandra Text

Belli