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Alejandra Duarte: Consciousness released

The photographic work, "Portrait Collection" Alejandro Duarte, playing with that aura of truth that wraps the photographic image. Constantly plays with the image you want to offer herself. His portrait and the dream that we produced through the modification and manipulation, it seduces us while we distort you into believing that it encompasses everything we see.

Thanks to this game, subjectivity and objectivity has become pieces of construction / deconstruction of our reality. Our look is the way we measure is actually the way through which we establish close relationships and intimacy. We position ourselves emotionally to the image from the interpretation of our eyes makes it only stopped when we think that Alexandra is real.

His pictures tell stories that deal specifically with the inner state of being, is a work of introspection, to become aware of our body and mind as to the immensity of the universe. Alejandra takes us to a world of sensations, perceptions, tastes, smells, memories, childhood, desires, fantastic landscapes where each visitor is the protagonist of his own fantasies.

Duarte The photographic image is taken as a painter, in the end it is illusory, artificial, ie a mental recreation of the artist by virtue of its materialization photo also confronts us with the aesthetic criteria beauty and truth. Alejandra investigates the power of our mind, because without a doubt is what defines what is real to us, telling us what is important and which significantly changes the meaning of things. Thus, his work is more painterly than photographic urges us to see only what you really want to see.

" The picture I drew from the outset to be a medium that creates spaces, areas, relationships that would otherwise never exist. For me, a means to discover and explore both the visual and inner world of human beings around me, and of course mine, its continuous wave, changing landscapes, its contradictions ... I greatly enjoy doing portraits.

I have worked with all types of analog and digital cameras, from small to large format dark laboratory Partly, I learned to control all the way to the final copy and so I managed to materialize the images that pop into my mind . "

Ultimately, their work frees us and drags us into the inner world of feelings and emotions, the paradise of the subconscious, from which the real and unexpected impressions of our being. They are images that arise during the silence, moved by the sight of the diversity that surrounds us, in the search for self-consciousness, to understand what is real to us and what is not.

My Dog Is Old, Blisters Broke

Javier Mariscal: Rossana

Mariscal in Maestrazgo "is a multidisciplinary project, suggests diversity, a free cross borders, a cultural exchange and a breadth of vision.

Clearly, Marshall is a storyteller of pictures that tell stories featuring characters that can be either objects or subjects. graphic stories are told by a pen that not only refuses to draw lines. It conveys emotions graphic concept, technological development and cultural and social significance.

This exhibition presents a Mariscal artwork with different techniques and media, from medium-format canvases painted with pen to paper collages and small scooters converted into wooden sculptures. His creativity distilled from everyday experience and makes it a fantastic practice takes forms amazingly diverse, multidisciplinary and rewarding shaken by small touches of defiance.

His proposal recovers vital acid and infinitely curious eyes of a child and adolescent insatiable power, always under the tutelage of a great artistic knowledge. His art, then, is rebellious but also nostalgic. And apparently impulsive style is reflective. Marshall has his own philosophy of life, that creates a fantasy world, where everything is possible, their own spatial and temporal laws. It is therefore a philosophy that stems from their life experience.

Mariscal, fierce-eyed artist, draws on the faces of street characters, landscapes, situations, travel, etc. Becomes master of his own destiny and build their spaces blank pages, with surprise and uncertainty situations, poetic revolution against the injustices of power, incursions into the dream world, melancholy and joie de vivre . And developed an original concept of the fable in which are also uncertain boundaries between humans and animals, all mixed in a combination of poetic character light touches of humor.

Mariscal spatial strategies are rooted in his capacity as an artist, but as much more subtle paintings and more complexity in the sculptures. Composition are strategies in which the distribution of characters and objects creates the poetry of the narrative and visual sensations. If the line is often narrative, color Mariscal is a "state" smart where we talk about the nature of perception. Planes built in simplified forms, often in conflict. Thus, Marshall achieved by the juxtaposition of the different tones and rhythms in his works praise the extraordinary essence Maestrazgo.

Marshal's works, as intense as prolific, overall support both planning and fragmented forms. Any detail of one of his works is, in itself, another work of art. While there are themes and forms that picks up and meet again over his long career, his works never cease to diversify and enrich themselves.

Finally, Marshall provides us with his works a privileged view of the colorful life to the smallest detail of our day to day.

Manuele Culinare Food Processor

Zaera animated fable: Renaissance poetic

Rossana Zaera, strikes again with his new exhibition "Resilience / Memory Boxes" in calling for a work that invites the viewer to introspection, reflection, realize life cycle.

Being is moving or is nothing, has a great ability to move, adapt and overcome any adversity and learn through experience over the course of life.

thus speaks of the resilience of the living power to overcome any setback. Our brain is nourished by the stimuli that cause pleasure but also learns adverse and painful circumstances. Though surprisingly we have a great ability to overcome pain.

Resilience is based on the representation of the pairs of concepts creation / destruction or disintegration / reintegration, and in recreating the beauty of decay from which life is generated and the analysis of the relationship between humans and nature. Interspersed anatomical structures and physiological plant with human in order to create life, and of course, hope. Zaera bet on the malleability and ductility of the elements of organic matter, and deceptive fragility that can endure being.

That hope immersed in the entire work of Rossana Zaera returns us to the concept of resilience title of this series and is not nothing but the ability to live. The images we see show buried human bones and skeletons, in short, reflect the death and the inert. Although once again the hope illuminates the darkness surrounding death with outbreaks insufflated again a spark of life, capturing well the cyclical sense of life becoming.

Luis Rojas notes that human resilience is both a natural and universal survival, which is composed of ingredients of biological, psychological and social, so when we discuss the psychological term resilience we are talking about living. The human being, like, that vegetation tends, in the words of Maeterlinck, to freedom, to break the narrow sphere, to invent or invoke wings, to escape as far as possible, conquer the space that encloses the destination, close to another realm, enter a world movent and lively ...

Thus, we should take as an example in our daily lives the prodigious efforts of disobedience, courage, perseverance and ingenuity of a flower about to bloom with endless adversity against.

In his next series titled "Memory Boxes" Rossana memory works hand in hand with playwrights, poets and essayists such as Friedrich Schiller, Walt Whitman, Maurice Maeterlinck and the renowned psychiatrist Luis Rojas Marcos, who claims memory is necessary for the survival of the animal kingdom, but in humans is much larger, since we have several types of memory, starting with the two most important: the verbal and emotional. Without our memories we would be homeless wanderers in our own way.

Rossana Zaera, is sheathed in work of introspection and retrospection in this series where the boxes get to catch the essence of life through memory. However, the closed box contains all kinds of emotions and conveys a myriad of sensations to the viewer, from grief, anger, loneliness, tenderness, sorrow to joy and happiness.

This box-set releases the emotional labyrinth of the artist unleashes memories and encounters with children at the same time preserves and saves it with apprehension in space.

memory boxes are staging, scenery, scenes from memory, that is, it would be the scenery of the physical environment of the artist who recreates his own experiences embodied in the boxes. This execution paradoxically leads us to the immaterial, the dream world of dreams, we could actually talk about poetic objects that we face the very reality. Resilience

both as memory boxes, Rossana poet the world of emotions through the transformation and reflection of space-time. It combines the meaning of life and his future with his own introspection. Develop a game of opposites, maintains the tension between the origin and outcome of human existence while pretending to preserve and safeguard the death destructible memories, experiences and emotions in a shoebox. Aims and, in practice and transcribe the memory while the human body is consumed.

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Lia and Dan Perjovschi: knowledge Museum / Time

The artistic voice Perjovschi Lia and Dan has been evolving and growing with events that have plagued Romania-from Ceausescu regime to inclusion of Romania in the EU in 2007 -. Their voices remain in the footsteps of an austerity policy and censorship that have been transmuted into a working method simple and straightforward. His social commitment forced to leave intact the idea against of the media leading the era of globalization.

scathing By actively seeking and educate humanity into the performance space of this artistic couple.

The means of expression par excellence of Dan Perjovski is drawing. Your "canvas" as a graffiti artist, is the wall closest and geographically marginalized or preferably, in his words, "surplus." And their are other tools that would be used in a classroom at the school: markers, pencils, pens, chalks, etc.

While undoubtedly, the preferred tool is the irony that Dan uses in all its images, analyzes and criticizes his drawings that surrounds it, which is concerned, I do not understand. Because of the austerity and harshness of the dictatorship that the country suffered its artistic language became honest and straightforward with a burlesque.

Lia contrast blasts all those years of isolation with the information, ie, attempts to inventory and retrieve all information that has been lost, which has been censored and retrieve historical data is of interest. If Dan Perjovschi is expressed by the graphic drawing cartoon comic mode does Lia Perjovschi with timelines, mind maps, in short, calls for the Knowledge Museum. claims that the museum is an information base and that turn it stimulating and improving the knowledge of every visitor regardless of their location, condition and profession.

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Jordi Abelló specific: Dehumanization blurred Marja

The Catalan artist Jordi Abelló (Reus, 1970) presents in Castellón a compilation of his past jobs.

This time next to their paintings, we find a proposal that contextualizes and videographic allows theorizing of his work. The video, first of all, try to clarify the meaning of the room almost cinematic. It present the metaphysical character of the human and the atmosphere that surrounds our daily, in short, an atmosphere that may be destroyed at any time.

The main series of the sample being the title of the exhibition is Crim / Crime , is a small group of paintings format with which our artist tries to recreate the necessary investigations in relation to murder. Thus, we see little compositions in which the suspects are the players, giving free rein to speculation and conjecture, thus freeing an air of mystery in the room in search of the possible culprit. Similarly, the series Faces presented as a frieze shows her last portraits, such as close-ups of the series Crim / Crime , loaded with a great psychological and introspective, in which emulates the posters JA the police issued search and arrest.

addition part of the recent conflict in Baghdad prompted Jordi Abelló to capture on paper all the feelings that produced the situation that existed in Middle East. JA drawn to remember and record the facts, that many media presented to the viewer as a mere spectacle, so banal and totally without mercy. The artist intends, through about 1,300 pictures collected in thirteen books, highlight the plight of thousands of people terrorized by the fear and misery that brings all conflict.

On the other hand due to the genocide in Darfur, western Sudan set to work on the series From Leonardo to Darfur, which aims to show the connection between physical suffering of the paint surface and the earth as human habitat. Abelló work in this case on the spatial and temporal displacement creates an overlap, ie synchronization through a video projection. In "The Last Supper" by Leonardo da Vinci offers an arid landscape that allows the paint craquelé chapped be an arid land and desert like Darfur. JA evokes so, the face of time and evoking the land wound sensitization hidden behind the unbeatable dehumanization.

Leaving all bloody conflict, the Van Gogh series is planned as a tribute to the painter of the Netherlands, but at the same time endorses his previous series, since under the self-portrait latent blood circulating .

Thus, the author, through his series, makes Darfur, Baghdad, and Van Gogh an area where industry all the feelings and the essence of humanity behind the tragedy and suffering of being.

Jordi Abelló thus faces the viewer in front of the mirror a reality that surrounds us. Undoubtedly, you wake up the passive observer, oblivious and unresponsive in an active individual, coherent and sensitized to the successful conquest of dehumanization experienced by the Earth.

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Victor Hugo! Once

are proud that Mr. Victor Hugo Morales has chosen the same name that I chose for my blog and it has reflected a political agenda. I strongly agree with a lot of things raised, do not think this government is the best of all, not even close, but I think many of their projects are positive and do good to the country, despite being many sometimes displays other things, like their war to the death with the Clarin group, often the tree will not let them see the forest. Are doing too much to discredit the group Clarín, and arrive at limits not realize they end up alienating and disturbing to many people, just for a political whim. Fibertel the war, we are having in suspense for all users, I personally, I have Fibertel both at home and in the studio. Collecting performance data from other companies among my friends, I discovered that the service offered by others is pathetic, too often cut, go slow, try to charge you a fortune when they are worth, well ... My experience with Fibertel, and go 3 years with them, and before internet city had joined them, was always very pleasant, not cut, I have internet whenever I need, if any There is rarely a technical problem in the area, do not take more than 1 day to fix it. Well, anyway, Endurance Victor Hugo! Whenever you get a story that is deeply divided and all and none seem to be right, I listen to Victor Hugo to know your opinion and thus to clear my doubts. Not only can explain the problems clearly, most of the time we can see the 2 sides of the case and analyzes them.

Thanks!

PS: The show airs every Sunday from 21.30 hours on Channel 9

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Perseverance

No

church father

has managed to explain why there is not a commandment

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man does not covet his neighbor

.

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Maya Jankovic: "4 +1 project"

Marja

Maya Jankovic surprised us in the nit de l'art de Castelló with the opening of its 4 +1 project, an interactive multimedia work in which I participate as many visitors who do not hesitate to venture, totally receptive to new ways of artistic communication.

is not the first time the Visual Arts Gallery has unveiled a draft multimedia, like the one we visited in Dorijan Kolundžija, which in this particular case, the supervisor of the Maya project.

So, you walk through the grounds takes you in surround sound and rhythm, which intertwine as the beating of a heart. The project itself is a journey through one of the vital organs, heart, hub, where you can conduct an interactive tour of the atria and ventricles.

The project is an attempt to relate and penetrate the interpersonal communication and understanding of civilization. Come together well, biological flows and cultural phenomena that are inseparable by joining the human being's basic features in Maya 4 +1.

The truth is that the gallery offers the opportunity to participate openly and experience in your own skin, sensations of various kinds. I recommend it wholeheartedly because it is a fun experience. Maya

bet, once again, by a curious proposal at the same novel in our city.

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Josep Vallribera: Stroke liberating domiciled

Josep Vallribera (Juneda 1937) us until July 16 in Gallery Cànem his exhibition "L'art Josep Vallribera total. Images, signs, concrete poetry, scripts, drips, textures, stains, light, empty spaces, suggested idea, object, poetic, and so on., Are some of the resources of this artist to create their own internal language. None of these can be definitive, rather, the desire to transgress beyond the limits of knowledge leave the door open to yet unknown.

So, leaving aside the superfluous, and its close relationship to the land, the drive is defined by the gesture, the spread of pigment, the transit of the brush, the movement of the hand or firmness of the trail.

Vallribera refers to the script through the words, goes beyond the writing formed, drawn, thanks to the gesture. The gesture, would become the essence of his writing, which is run with slackness, in draft mode, like a stain or an oversight. Since the essence of an object has something to do with his remains, not only with what is left after use, but also with what is thrown away for use. His gesture writes and narrates the experiences of a unique moment that embodies the act of creating, extending his introspective speech and their ideas about reality. His writing is decipherable but not interpretable, its function is to restore a certain vagueness. Although paradoxically, the vagueness completely exclude the idea of \u200b\u200bmystery, that more than one of us have formed to monitor their work, since vagueness is alive, keeping the act of writing, not the product. The gesture would become the supplement of an act is undetermined and endless amount of reasons, drives, sloth surrounding the act. So the artist would be a gesture filmmaker who wants to produce an effect at the same time seeks to deny. That is, effects that are not desired by him, are effects that come back, escaping and invest to fall on him. It is then that cause changes in the stroke. In the act abolishing the distinction between cause and effect, motivation and goal, expression and persuasion. By this I mean to explain that our artist did not break the causal chain of events, it stirs and remade so that it loses its original meaning. The drive is its vital element, arising from the extension of their feelings, which would correspond oriental painting with calligraphy. The graphics typical of his handwriting, we could relate to the satoris (in Japanese Zen is a sharp break, very faint at times, our logic causal), from writing, a kind of lightning are useless, they are not even Lyrics performed, obtaining suspend active being written. That is, the writing no longer resides anywhere, it goes, is superfluous.

As his work has nothing real stability and therefore lacks the precise meaning of the form. contrast, gives us the possibility of establishing a dialogue between opposites . Undoubtedly his work impacts the viewer forcefully, directly and visual nervous due to his gesture and agile.

Vallribera

's work, combines relatively paradoxical terms with what demonstrates their creative freedom, leaving behind classical figurative references to the provocative and suggestive stroke.

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discrete (EACC): "An end prelude" domiciled

To all first he comes to an end. A prelude order and, to date, unclear and mysterious, which has earned me my adventure by "discrete domiciled." Never before had I felt so immersed in a project as usual, and so I wanted to thank all our readers for having made this, because without them we would not have been possible to build this exhibition under a common language.

cultural practices have evolved over these weeks, no doubt, have succumbed for the purposes of relocation and continuing diversity based on the artist's nationality as well as all of our intrepid participants. We have taken over the time and space, we have learned to do ours, to enjoy and appreciate it. But mainly we have fun, I must admit I've enjoyed every issue we have shared with you through this unique and particular cultural space called notebooks. I have faced a projected realities, dreams and thoughts reflected floating, to finally reach the center of this exhibition. I tried to tell from all sides and viewpoints as possible, and at the same time, guide a través de un recorrido fascinante lleno de intrigas y preguntas sin respuestas o respuestas sin preguntas. Hemos denunciado el abuso de la velocidad generalizada en nuestra sociedad, nos hemos enfrentado a un nuevo concepto de práctica artística que interactúa con su ciudad, que invita a reflexionar, a retroceder, a ralentizar, a denunciar, a participar y hasta a jugar en un ámbito de multiculturalidad.

La creación de “Avecindamiento discretos” nos ha brindado la oportunidad de viajar a través de “los no lugares” y de “espacios liberados”. Se han abierto todas las fronteras de proteccionismo y de reagrupamiento, negándose a la clasificación and rewarding the participation and dialogue between citizens and their city.

Undoubtedly, the EACC has surprised us again with a project that builds a social network, not just a display of products, no participation in that there is no voice. Therefore it is not only to accept or reject the proposal, but to live it, experience it and share it. "Avecindados discrete" sets its own rules, ie not stipulate any, is released into the audience of potential biases and commitment to a joint collaboration between our protagonists. We navigated through a maze of infinite innate ideas which emerges in each of the cohabitants. The ambiguity of this project as significant and, while bizarre and delusional, questioning the here and now, and socio-cultural patterns dictated by globalization. So we are invited to awaken our most primal instincts and feelings that are rooted, to internalize and deliver us from our social and political burden, in order to advance along the path of aesthetic experience. They tell us what to think, or how we act, what to do or ask, do not provide solutions but plant and raise doubts. So our artists pave the way for dialogue and action inherent in one of the neighbors.

From here, I take leave, without delay, of these five artists: Antonio Ortega, Bernard Bazile, Denicolai & Provoost, Cesare Pietroiusti and Jordi Vidal its mediator, capable of creating an atmosphere transgressive and revolutionary urban space.

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I consider myself a person persevere.
According to the dictionary,

"Perseverance: Perseverance, firmness and perseverance in carrying out something"

quality I think this opens many doors for me, but I closed many others, as the French writer Jean Baptiste Alphonse Karr:

"We like to call stubbornness to the perseverance of others but we reserve the name of perseverance to our stubbornness."

may be a renegade stubborn, wanting me through persevering, always looking for ways to achieve what I, looking for the impossible which are not and never will, but at least seeks to form!!
But along with the idea of \u200b\u200bthe IBTS, Napoleon Bonaparte said:

"Victory belongs to the most persevering."

Although his stubbornness led him to conquer Russia as emperor fell against General Winter, the statement encourages me to continue as strong as it should.
As stated Chinese proverb, "If you fall seven times, get up eight." Lately I stumbled awkwardly with the same stones, so I feel a fool, but I think it takes more courage to stand with our heads held high after making the same mistake again to simply stop trying ... Oliver Goldsmith, the British writer said:

"Our greatest glory is not never having fallen but in rising every time we fall."

And better reflected than in either side, is in the giant Miguel de Unamuno, writer English in the late nineteenth century with his phrase:

"The way to make once the nail is to a hundred times in the horseshoe. "

I'm going to get what I want, I'll have to tear the shoe with a hammer, but at some point I will hit the spot! I leave you with a quotation from Chinese philosopher Confucius:

"The superior man is persistent in the right path and not only continued."

just hope that this is the right path ...

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"... What I want, coward heart, is to die for me ..." Joaquin Sabina

Hannah Montana Translated

discrete (EACC): "Slow Food" Cesare Pietroiusti

The act of eating, especially in groups, is presented as an essential factor of cohesion in society, which has come to show throughout history through the habits of individuals. And it is inevitable that people meet for a meal. However, rather than the act of eating, what is really important and interesting is the fact of maintaining a social interaction between each of them, to strengthen their social connections transcending the family, interacting with others. So much so that different communities have made the act of eating into an instrument of social cohesion.

Even with everything, and unfortunately for us, today's society pushes us to live and eat very fast. Hence, fads, today, more accessible to the world where eat without having to maintain direct relationships with others. At present we are subjected to a pace of life, mostly tax, which has made us forget to take our time to enjoy food, work and even breathe.

That's why their performances Pietroiusti Cesare 'Workshop extreme slowness' in the Espai d'Art Contemporani de Castelló, we defend this situation. This has been done to the act of eating, since it implies a social significance. So the proposal by the Italian artist to eat in a group with a series of strangers, strengthens the feeling of belonging to a neighboring network. This relationship is established and developed between them so that each takes on different roles that come to externalize, and maintained consistently throughout the process of socialization that is created through social connections - set of actions that are key development of a society -.

Thus, during any of the workshops 'extreme slowness' we can see how a simple act innate human being becomes an instrument of society to promote social cohesion and the vindication of space-time. This creates a great framework for action in which individuals build, slowly, a joint action space. You can only get to build a common area if you steal time to the daily chores by individualization and internalization of space itself. Hence the advocates through 'domiciled discrete' by a slowdown in the daily process to reach taste and learn to enjoy the smallest pleasures that we provide.

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awakens our attention in public space domiciled

Cesare

Pietroiusti affirms the existence of a public dimension, which is the opposite - or at least he is in dialectical relationships - those private. So we dipped into a problem as is the value that a particular community attributes to the public domain as logged in, the care she puts in, the cognitive or affective connotation. In Italy, for example, is known to the family that represents the dominant model, both economically and psychologically. Let's say, for better or for worse, there is a certain behavior "clans", with a strong sense of belonging, with long-term partnerships. The attitude of mistrust towards the other is considered a normal act. Pietroiusti believes that the public sphere of civic importance - the road or school, municipal office or even a bank in the street - is mostly played in a distracted, especially when something goes wrong. No wonder, then, on that "public art" is a formulation that resonates with bureaucracy, alienation and boredom.

Cesare contends that the intervention of an artist in an urban environment should work on the folds, and not easily recognized and categorized as "art." Is better in fact, contribute to determine the casual observer - one who does not seek - a time of uncertainty and doubt rather than to confirm expectations.

To understand a little better what they want to, we say that Piestroiusti prefer, no doubt, when someone covers one of his projects, a reaction like: "What is this?" Instead of " is art, therefore, not concern me. "

For the Italian artist" the 'public sphere' is simply that crossed and made of subjects who did not know and do not know him personally, where the 'private sphere' is that cross and made by people who know. " In this sense, a traditional artistic intervention - an exhibition of paintings, for example - in a museum can have a much more "public" project, perhaps more social nature, aimed at a specific and ; limited group.

In art, what really interests Pietroiusti Cesare is not the cause, but the critical idea, the ability to give rise to doubts and questions that belong to us belong, perhaps from very trivial matters, of realities as "infra-ordinary." Hence the involvement of Cesare in this project so ambiguous and uncertain couple of 'discrete domiciled', which undoubtedly seeks provocation, leaving indifferent to any of the visitors. Pietroiusti interacts with people asking simple questions that only the viewer can answer yourself: Why go slow? What's the point? How long could they hold out?, Etc.

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Today was a very, very bad day, since I get out of bed yet, I spent only 1 good, first of failed relationships which I do not want to remember, after we re happy with our project design and Ottoman, the lady suddenly sings teacher is putting a new rule that makes our work has been entirely in vain and we have to start from 0, the slut Mother, I'm angry at all, this is my dump, I'm hitting the keyboard with your fingers as I write. Damn Karma, you do not know what I have done, apparently something very serious, if only he knew ...
facu Today I returned from the music as loud as they could, would not listen to my thoughts, but the damn screaming too loud and close to the ear. I need a button to go off for a while. Suddenly

Marocco Sounds Great.

PS: This is written in hot, no offense ...

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discrete (EACC): "Gestures" domiciled

Gestures are an important part of this exhibition because through them we can attract public attention or, quite the opposite. Everything depends on the good use we make of them. Hence 'domiciled discrete' make a series of winks that are shared with the residents of Castellón, such as stock Denicolai & Provoost we found in the Mercat Central de la capital de La Plana or performances' Workshop extreme slowness' of Cesare Pietroiusti - where they can participate actively all citizens - or the banners of Antonio Ortega and students of the Escola d'Art i Superior de Disseny de Castelló.

We must bear in mind that all possess the ability to communicate and transmit. We can try to lie, cheat, manipulate, conceal or pretend through press, writing, but it is almost impossible to "pretend" by expressions of the human being within our multicultural society. For the same reason, the project aims at hand that we are natural and expressive with our response. Needless to add gestures to all the comments, or comments to every gesture. And is it the same way that the behavior gives a clear idea of \u200b\u200bhow people are and their reaction to the exhibition space, the movements and expressions, like words, are varied and significant, as they are the silent words that can be seen and not heard, but we can interpret them. We dare say that society, under the watchful eye of globalization, should pay much more attention, as well as positive values, these small gestures of complicity that we can develop and establish with our neighbors.

In this globalized world, art is a language accessible to anyone who wants to communicate ideas to the rest of their peers - as does Antonio Ortega, in protest, in his "Hello, I am José María Ruiz-Mateos' -. Thus the universality of art, rather than weaken the multiplicity of new means of expression, gaining strength to be a field that includes knowledge and human sensitivity. Hence, this exhibition of the EACC project has as an objective to act as liaison between the institutions and the spectators.

art provokes reactions. 'Domiciled discrete' art gets picked up and build the different spaces. Positioning us to the essence of the work, we could see that provoke different reactions in the audience, comments on 'sotto voce', exclamations of surprise, indifference, and Of course, lots of gestures. The human being is a being expressive is not limited only to verbal comments, as irretrievably body notifies all moods. We are living art in motion, which performs a repertoire of performances daily unconscious, and sometimes some specific and elaborate. However, the expectation and reaction correspond to the original essence of the conversation of human beings, so that spontaneity is reflected in a transparent body of the most sensitive. So if we were objects of art, we would, surprisingly, how visitors and casual observers of our rationale, execute all kinds of grimaces, winks, fuss ... ultimately gestures that would indicate the acceptance or otherwise of our sense of vitality - in the first place - and a range of comments that reinforce their initial views.

In conclusion, a decrease of eyes, a furrowed brow, a lift of his shoulders, a smile, and a whole series of expressions, let Screener feelings, participating in complicity, in the dialogue , the interaction between us and the work starting, so the first step in the way of art.

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discrete (EACC), "Foreign intrinsic" domiciled

Currently, urban space is governed by large shopping centers, corporate towers, perimeter grounds, ample parking and massive capacity enclosures. These architectural models of this materialized in iron and glass have made us forget the traditions that formed and gave an identity to our city. In this situation, the videos of Bernard Bazile, Antonio Ortega and Cesare Pietroiusti and images of the artists can explore Denicolai & Provoost New features of the space we inhabit collectively, the urban landscape, which consists of tall buildings and tourist resorts, unify shapes and lattice types systematically repeated a complicit relationship between tradition and way of life with the frantic pace of a typical city. Still, we wonder what is the urban, how it arises and what its potential characteristics and effects on our lives. These are some of the issues that arise when facing their works.

is not novel to point out that the reality we have always interpreted through the relationships that we offer images. The photographic technique and, more digital, have been opened and strengthened this conception. Thus, the image is not only an interpretation of reality, but also functions as a vestige or trace of the real live. As a caricature or a cartoon drawing, that keeps us both on us. Photographs of people frequenting the Mercat Central de Castelló or fishermen slaughter of Denicolai & Provoost Grao make us accessible, instantaneously, to outside realities for many of us, though not without difficulty or ambiguity, since we access these ways of life temporarily, through a distance, ie a distance from our daily reality.

If this work presented here, alter the way we look and therefore, our relationship with reality, we can say that we also provide an area for rethinking the relations we have with the urban landscape our taking up residence. The exhibited works bring us closer to a new kind of perception, and with it the possible correlation that may arise from the urban and the masses, spaces accelerated subconscious places, the political conditions of temporal and spatial practices, with the traces that human beings left in these places, which constitute the element of culture. It creates a dynamic relationship of our artists with the inhabitants of the city as part of a group dynamic, where the human being becomes more visible in the space it occupies.

In 'domiciled discrete' not only reflects on the relationship between image and reality, but the question of ambiguity between image and word. For example, through the recovery of the aesthetics of the comics that exposed as propaganda posters Denicolai & Provoost, incorporating written language to mean, ironically, contemporary events taking place in our city, for example in the fish market. The word also appears in the banner Antonio Ortega, where we are given a warning, we wake up and catches us, in short sentences and striking the complaint and protest to debate reality.

The images of this exhibition project of the Espai d'Art Contemporani de Castelló are shown in different environments - indoor and outdoor - for us to understand the effects of these on the emotions and behaviors people. Thus, they represent social relationships and linkages, which leads to consider the urban space as a mobile site, dialectical and constantly changing.

In this context, the art opens a way suitable to analyze social patterns and the effects thereof in the production environment of space. There is a back and forth between artistic practice and the space between imagination and reality, thus creating a rhythm in the time between this exhibition and its city. Thus, the art plays a critical and transformative role that helps us recognize what place we are and where we are headed.

Alexandra Text

Belli

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discrete (EACC), "liberated areas"

observations about art and space bring a configuration that takes place within a boundary, as an inside and outside limited. Thus enters the game space. A space that can be inhabited by a plastic piece, shaped like a closed volume, drilling, casting, etc., And always be enigmatic.

space stubbornly continues to push modern human beings to their ultimate and absolute control, and modification. The art space, the space of everyday life with their actions and movements, urban spaces, all revolve around this project exhibition of 'domiciled discreet. "

The question of what the space as space is made and there is no response. Unclear is also "be the space" and the power to award him a way of being. According to Martin Heidegger behind the space, apparently, there is nothing to which engrossed. In front, there is an alibi to something else and the sameness of space is only shown from himself. While not experience the sameness of space, remain in shadows talking about a place of art. The way in space and work through the piece of art we expected with all its uncertainty.

In space you can find the plastic form as a given, the space can enclose the volume of the figure, and exist as empty, leading to the free, open it, later to stand and reach living human being.

The space determines, in itself, the release of sites, where the destinies of man existing project to the future. Thus, the space prepared in the EACC Bernard Bazile originates place preparing to turn the habit of 'looming discrete' because it frees the site where the "space" is made and where events are enclosed, allowing the emergence of feelings that are directed at the inhabitants.

addition, the space admits the possibility of co-relative to belong in their own direction, as well as it belongs to each of us from within and from their very existence. His character is rapture. The site or place opens every time a state or an occasion, finding things there, in co-ownership with visitors. In this corner of the game is played, in the sense of hiding and let things released to their own devices.

open space called the vastness and means at the same time: keeping the encounter things in their co-ownership. Thus, as Heidegger would have to meet then in what form and how this game co-ratio is free from the vastness of the place the transfer of the co-ownership of things. The game co-related art and space would have to think from the experience of the site and the viewer in situ. However, it is essential for this project of 'domiciled discrete' conception of space as a liberation and a nest of perceptions and feelings that grow and accumulate throughout the show.

alexandra

Text

Belli

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is a compilation of the ones I liked:
1. Chuck Norris died 10 years ago, but death had not the courage to tell ...
2. Chuck Norris wins the Ta-Te-Ti in 2 3.No
movements there is the theory of evolution, just a list of creatures Chuck Norris let live. 4.The
Chuck Norris's tears cure cancer. The trouble is that he has never cried. Never. 5.Chuck
Norris has counted to infinity. Twice.
6. In a fight between Batman and Darth Vader, the winner would be Chuck Norris. 7.Chuck
Norris is the only person to ever defeat a brick wall playing tennis. 8.Parties
Ninja Turtles is based on a true story: Chuck Norris swallowed a live turtle, and when the shit, the turtle was 6 feet and knew karate.
9.The Time waits for no man. Unless that man is Chuck Norris.
10.When Chuck Norris goes to donate blood, he rejects the syringe, and requests a knife and a bucket. 11.Chuck
Norris can divide by 0. 12.La
only thing that can cut Chuck Norris is Chuck Norris. 13.Algunos
have Superman pajamas. Superman has Chuck Norris pajamas. 14.When Chuck Norris
do a crunch, do not get up he's pushing the Earth. 15.Chuck
Norris does not read books, until they are staring out the information you want. 16.Chuck
Norris can slam a revolving door. 17.Chuck
Norris can burn ants with a magnifying glass. Night. 18.Un
Chuck Norris day he decided to sell his urine. Today is known as Red Bull.

I hope you like!

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No, I'm back ...

The looks to the past can be tempting, attractive. You can remember times when this was a dream or an event unimaginable some people even feel nostalgia when remembering times of depression and sadness just to return to feel the peace that came with the new dawn.

Looking back can be complex, after all you never know what ghost can dig up, what memories can dust off and what problems you can translate this and end the situation seems so complex and anachronistic look at the past becomes a journey of exploration and recognition.

There looks to the past that brings new contacts, memory loss and blackouts that can not remember damage that is bright and looks back without feeling resentment but you can not make up the story to the blemishes disappear.

Looking back this should be charged.

realities should be charged and any attempt to discredit the attractive "if I had" because by the way, the "if I had" not end up being more than a place created for ourselves to feel what we feel. To recommend writing a similar effect.

There is much more to say about this issue but the time now I have no favors.

The return still seems uncertain.

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"The bottle said that if"

New

impact upon the findings of last week.
Following the publication in the popular video site Youtube On-Line Video footage taken by the medical staff of Hospital Marcial Quiroga, this week released the testimonies of those involved in the episode.
"We laughed at him, laughed with him," said a nurse who appeared in the video. The surgeon in charge of extracting said "it was hard, the bottle did not want to leave, but finally we succeeded." But the most striking words came from the patient decided to face (or ass, we're still not sure) and said: "We are very much in love It has made an appeal to justice in order to get married "and the response of his girlfriend (500cm3 bottle) said:" This man is a gentleman, and is so small that can get me in peak . This is a give and take ".
is said already expecting a child." When he entered the bottle was full and left empty. "Said the patient." I have faith that their fluids have reached my stomach and is brewing your child within me. "